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Welcome Winter Sunset

Here you will find book reviews for a class I am taking on Children's Literature.  Please keep in mind that I am just a student, not a renowned critic of children's literature.

The literature will be divided into specific genres.  The genres will be in the order of: picture books, traditional literature, poetry, nonfiction, historical fiction/biography, and fiction/fantasy/YA.  They will be added as the assignment arises...

Flying Geese

Picture Books:
 

Feldman, Judy. 1991. The alphabet in nature. Chicago: Childrens Press. ISBN 0516051016.

The Alphabet in Nature is an alphabet picture book. Judy Feldman chose photographs as her media. She found different creations creating the shape as each individual letter. For example, A has the picture of dewdrops on grass, which is shaped like an A. B has a photograph of a snake, partly coiled into a B shape.

Above each photograph, the letter represented is displayed. Each photograph is labeled below the picture in small print with the photographers name underneath. Otherwise, the picture book has no words. The authors explains her intent on the last page stating, "The idea is for you, parents and children together, to supply the words while sharing a fun new way of looking at nature and learning about letters."

The way Feldman saw the alphabet in nature is a pretty unique idea. It is interesting how, for example, she saw an F in a hummingbird in mid-flight, with its body straight and its beak and wings facing forward. Yet, I wonder if a child who is not accompanied by a parent/teacher would look at these different creations and think that the word associated with it began with the particular letter with which it is labeled. I guess a child could look at the hummingbird and think, "F is for flying", which the hummingbird was doing. Still, what if the child thought "F is for bird/hummingbird"? This is a reason why not to use the book as a preschool or kindergarten resource for learning the alphabet.

 

Henkes, Kevin. 1989. Jessica. New York: Greenwillow Books. ISBN 0688078303.

Jessica is a story about a girls imaginary friend. Ruthie Simms did not have a pet or sibling, so she makes up her own friend and names her Jessica. The "two" go everywhere and do everything together. Ruthies parents tell her that Jessica does not exist, but Ruthie does not listen. When Ruthies first day of school comes, she takes Jessica with her, only to find out that she no longer needs her because a real girl named Jessica in her class befriends her.

This is a very well done picture book. The simple illustrations of watercolor add to the text of the story. There are varying sizes of text, which pulls the eye towards the pictures to find what is really being seen by the parents/other students and what is being said by Ruthie. Neither the text nor the pictures could stand alone. In my opinion, Jessica would be a great book to read on the first day of school.

 

Pinkney, Gloria Jean. 1992. Back home. Illus. by Jerry Pinkney. New York: Dial Books for Young Readers. ISBN 0803711697.

Back Home is about a young African American girl named Ernestine, who is visiting her aunt, uncle and cousin at their farm. With the love of her aunt and uncle, Ernestine struggles for acceptance from her cousin James Avery. She tries to prove to James Avery that, though she is a city girl, she can still hold her own on a farm. She also becomes reacquainted with her birthplace and where her mother grew up.

The illustrations of Jerry Pinkney are done with watercolor. The pictures make the text come alive, showing the details of the scenery not explained in the text. The characters drawn have a sort of movement to them. The expressions on the characters faces match the text perfectly. The artwork is so life-like. Gloria Jean Pinkney has a wonderful way of making her characters believable in the way they speak so naturally. For example, Ernestines Aunt Beula exclaims, "Zula never did take to wearing no shoes! Come here, child and give your Aunt Beula some sugar!"

There is more text in this story than the previous two stories that I have reviewed. I would say that it would be best for children who have already mastered the fundamentals of reading, or as a read-aloud.

 

Stevenson, James. 2002. The castaway. New York: Greenwillow Books. ISBN 0688169651.

The Castaway is a story about a little mouse named Hubie. In spite of what he tells his brother, Hubie is afraid of many things, including islands. When his family decides to visit an island for vacation, Hubie is suddenly thrown into an adventure that leads to the end of all of his fears.

The illustrations in The Castaway are in watercolor and of a cartoon-like nature. The text is written in speech bubbles, and the scene squares sometimes overlap. The pictures do a good job of explaining what is not in the text, but are very cluttered on many of the pages. However, since it is a cartoon, it is easy to "catch up" on missed things.

The character of Hubie is well-developed. James Stevenson is good about showing the reader who Hubie is, allowing the reader to piece some of his character together on his/her own. My favorite part of the book is when Hubie finds another castaway like himself named Leo. Leo is very comfortable with himself and his situation, which allows Hubie not to worry much about his own situation. The contrast of the two characters (Hubie in a suit, Leo in cut-offs) made me laugh, especially seeing Hubie, all straight-laced, enjoying the sports in which Leo is having him participate. It is a cute story about facing fears and seeing the bright side of the unknown.

 

Van Allsburg, Chris. 1985. The polar express. Boston: Houghton Mifflin Company. ISBN 0395389496.

The Polar Express is a touching story about a boy who still believes in Santa. He is invited onto an express train taking children to the North Pole to witness the giving of the first Christmas gift. Only one child is chosen, and the main character is asked to come forward onto Santas lap to tell him what he would like. The boy asked only for a bell from Santas sleigh, which was given with much approval. When the boy gets back on the train, he sadly realized that he has lost his bell. However, on Christmas morning, Santa has the bell in a special box with the boys name on it. The bell made the most beautiful sound he and his sister Sarah had ever heard, but his parents could not hear it. Though at first most of his friends could hear it, through the years there came a time when they could no longer, including his little sister. The little boy, now grown old, is still able to hear it.

What a lovely story this is about faith! This book received the Caldecott award for the beautiful, full color paintings that make up the illustrations. The text of the story is pushed off to the sides of the pictures, allowing the pictures to develop the story further. My favorite scene is when the boy realizes that he lost the bell because of the hole in the pocket of his robe. The look and actions of concern and surprise on the other childrens faces are truly life-like and beautiful. This story made my goosebumps surface.

Traditional Literature:
 
 

Sans Souci, Robert D. 1994. Sootface: An Ojibwa Cinderella story. New York: Doubleday Book for Young Readers. ISBN 0385312024.

 

Sootface is an Ojibwa tribe's version of Cinderella.  A young girl is nicknamed Sootface by her cruel older sisters, who make her do all the hard labor while their father is away hunting.  Sootface is too afraid to tell her father what is truly happening to her.  Despite the teasing from her sisters and other villagers, she dreams of a better life. 

 

When a mighty warrior delegates his sister to find him a wife, all the young maidens wish to be the chosen one.  The problem is that this mighty warrior can make himself invisible to everyone but a woman with a kind and honest heart.  So, when a woman can tell his sister what his bow and bowstring are made of, she will be his bride.  Though Sootface's sisters try, they cannot see his bow or bowstring.  When Sootface goes to see the warrior's sister, she is able to see him and tell her what his bow and bowstring are made of.  Thus, the warrior's sister renames her "Dawn-Light" and she becomes the warrior's bride.

 

The characters in this story clearly distinguish themselves as good or evil.  The details throughout the story support the character of each sister.  The plot is simple and direct, moving smoothly from introducing the characters actions to finding out the ultimate consequence of them.  Good versus evil is established, and the good prevails.  I really enjoy this version of Cinderella.  The setting and appearance of the characters shown in the illustrations reveal much about the culture of the Ojibwa tribe. 

 
 
 

Schwartz, Alvin. 1992. And the green grass grew all around: Folk poetry from everyone. Illus. by Sue Truesdell. Harper Trophy. ISBN 0064462145.

 

And the Green Grass Grew All Around contains folk poetry, which includes many childhood poems or chants that I remember from when I was younger.  The sections in the book are: People, Food, School, Teases and Taunts, Wishesand Warnings, Love and Marriage, Work, Stories, Nonsense, Riddles, Fun and Games, Rain and Shine, A Tree, Animals and Insects, and Other Things.  One of my favorite in the book is, Somebody loves you deep and true.  If I werent so shy, Id tell you who.  It reminds me of all the crushes I had when I was little.

 

This was a different sort of traditional literature than I was expecting.  As I continued to read them, however, and recognize many of the poems, I realized that it is traditional because they have been a part of our culture for many, many years.  The illustrations done by Sue Truesdell brought the poems to life and helped me picture the action that the words are trying to convey.  The illustrations add to the poems humor. 

 

 

 

 

Scieszka, Jon. 1994. The book that jack wrote. Illus. by Daniel Adel. New York: Viking.  ISBN 067084330X.

 

 

The Book That Jack Wrote is a picture book that refers back to several nursery rhymes, all coming together into a sequence story.  The story begins with a rat that fell into a picture, who was eaten by a cat, who was chased by a dog, who was spooked by a cow sailing over the moon, who was tossed by a baby, who was hit with a pie, which was flung by a pie man, etc.  There was also a reference to an egg, resembling Humpty Dumpty.  The illustrations tell just as much of the story (if not more) than the actual text, as it portrays what is happening in the story and foresees what will be coming next.  Jon Scieszka is a clever writer of childrens literature.  He shows his creativity even in his short biography in the back of the book, continuing with the same pattern of the story.

 

The story has a sequencing pattern.  The pattern remains constant, and adds onto the story page by page.  The plot is simple and direct, moves very quickly, and contains much humor.  It does not necessarily have a happy ending, but I do not think that is what the author was going for.  The illustrations are paintings done by Daniel Adel.  They are sharp and witty.  The story reads well aloud.

 

 

 

 

Wiesner, David. 2001. The three pigs. New York: Clarion Books. ISBN 0618007016.

 

 

The Three Pigs is a delightful spin-off of the original Three Little Pigs.  I enjoyed the way David Wiesner used the exact same words to tell the tale.  The creative twist to this story was solely in what Wiesner had the pigs figure out.  The wolf comes to huff and puff and blow the houses down, only to blow so hard that the pig is blown out of the storybook.  The rest of the pigs follow this first pig out of the story, and they go on to explore many other stories, including Hey Diddle, Diddle and another story that has a dragon about to be slayed.  The cat with the fiddle and the dragon join the pigs as they explore the outside of stories.  When the pigs make it back to their story, they enter into the 3rd pigs brick house, dragon and cat included, which scares the wolf away.  They live happily ever after.

 

Wiesner received the Caldecott award for the illustrations in this story.  I thought it was interesting the way he made them take on the same type of illustration any time they stepped into another story.  They would look more lifelike only when they exited the stories.  Wiesner went along with how a traditional piece of literature usually ends, happily.  The plot was pretty much the same, with the pigs wanting to get away from the wolf.  The pattern of the story alters only when the characters change out of their typical roles and become their true selves.  The pigs are characterized as good; the wolf remains the evil, and the good triumphs at the end.  I thought it an interesting twist the way the dragon was portrayed as the good and the prince was made out to be the evil one in the story from which it walked out.  It reads well aloud, as well.

 

 

 

 

Zelinsky, Paul O. 1986. Rumpelstiltskin. New York: Dutton Childrens Books. ISBN 0525442650.

 

 

Rumpelstiltskin is a story about a millers beautiful daughter.  The king is told by her father that she can spin straw into gold, which was never true.  When the king has the daughter come to his castle, he tells her that if all the straw is not spun into gold by morning, she will lose her life.  The king makes her do this for three nights.  Distraught as can be, a little man comes to her rescue, costing her something each time: first, her necklace, and then her ring.  The third time, she has nothing more to offer this little man, so she promises him her first born child once she is queen (thinking this may never be a possibility).  When she has her first born son, the little man comes to claim what he considers his, and she begs him not to take her son.  The little man, moved by her tears, tells her that if she can tell him his name in three days time, she can keep her son.  Thus, when her maid spies to finds out that his name is Rumpelstiltskin, she keeps her son, and he flies away angrily.

 

Paul O. Zelinsky received the Caldecott award for the illustrations in this book.  They were very realistically drawn and clearly showed the settings and characters in full action.  The plot was as traditional literature suggestsfast moving, simple and direct, involving conflict and its resolution.  I enjoyed the way the Rumpelstiltskin came to her rescue, yet was the cause of her major conflict as well.  That is the way evil truly presents itself, as good yet in reality is selfish and life-threatening.  The story has a happy ending, though I wonder how such a greedy king would stop asking his wife to spin straw into gold. 

 

Poetry:
 
 

Cullinan, Bernice E., ed. 1996. A jar of tiny stars: Poems by NCTE award-winning poets. Illus. by Andi MacLeod and Marc Nadel. Pennsylvania: Wordsong, Boyds Mills Press, Inc. ISBN 1563970872.

           

 

In A Jar of Tiny Stars, Karla Kuskin points out, If there were a recipe for a poem, these would be the ingredients: word sounds, rhythm, description, feeling, memory, rhyme and imagination.  This book is a collection of poems, which have these very ingredients.  Each poet featured won the National Council of Teachers of English (NCTE) award, which is a high honor.  The recipient of this award has created poems that are teacher, librarian, and kid approved.  Bernice E. Cullinan thoughtfully gathered the most popular of these for her collection, a great gift to all of us.  The poets included in her collection are David McCord, Aileen Fisher, Karla Kuskin, Myra Cohn Livingston, Eve Merriam, John Ciardi, Lilian Moore, Arnold Adoff, Valerie Worth, and Barbara Esbensen.  There is a table contents, each authors work is sectioned off, then an About the Poets section at the end of the book. 

 

Andi MacLeod did a wonderful job of sketching for the poems.  The sketches compliment the poems, and give the reader something to gaze upon as he/she reads them.  They are delicate representations, which gave me a feeling of welcome.  Marc Nadel drew portraits of each poet, which divides each section of poems.  These portraits are black and white watercolors, and a very good representation of each poet.  The poems themselves cover a range of topics and styles, which titillate the imagination.

 

 

 

 

 

Florian, Douglas. 1998. Insectlopedia. New York: Harcourt, Inc. ISBN 0152013067.

 

 

Insectlopedia is an innovative way of looking at insects! There are 21 insects described physically, as well as characteristically.  Some of the poems are concrete poems, shaping out the insect or showing its movement.  One of my favorites is about mosquitoes.  Douglas Florian adds humor to these annoying creatures by saying, Mosquitoes are thin./  Mosquitoes are rude./  They feast on your skin/ for take-out food.  The illustration for this particular on shows a humans veins inside his arm, and the two mosquitoes sucking out of themvery graphic, but true all the same.  His witty illustration points out the different blood types, as well, having the word mosquito ending on the type O blood. 

 

The poems movement is smooth and rhythmic.  Florian uses rhyme, which helps the poem to sound itself out.  He gives each insect character, using figurative language such as metaphors instead of similes.  He sort of personifies the creatures.  The insects are portrayed as if they were in action, and his illustrations show what the poem is describing.  I think that the poems are appropriate for children, but the wit can reach out just as satisfyingly to adults.  I would definitely like to read more works from this poet to see if all of his work is as original.

 

 

 

 

Nye, Naomi Shihab. 1992. This same sky: A collection of poems from around the world. New York: Four Winds Press. ISBN 0027684407.

 

 

This Same Sky is a collection of poems from around the world, including sixty-eight countries.  It is a more sophisticated collection, very well written.  The poems do not necessarily rhyme, but they have a smooth rhythm to them, and use figurative language.  Some use simile, others metaphors, personification, etc.  The topics include: words and silences; dreams and dreamers; families; this Earth and sky in which we live; losses; and human mysteries.  The book is organized with a table of contents; each topic sectioned off; each poem with author and origin; short notes on each poet (end of book); a map of the world; and an index to poets. 

 

One of my favorite poems is in the Earth and Sky in Which We Live section, called Mindoro.  The poem is about a boat ride with the water lapping against the boat and the scenery that is seen from it.  The imagery shown in the poem by Ramon C. Sunico is quite vivid, e.g. The red threads/ of last-light/ dance/ on the shoulders of the oarsman.   The poet uses personification and such colorful words.  This poem also moves like (and looks like) the waves coming in and out of shore.  This is the kind of poetry that Naomi Shihab Nye found for this beautiful collection of poems.  I think that they would be best for older children, perhaps middle or high school, due to the more complex imagery.  Older children would have more experiences to draw from while reading these poems. 

 

 

 

 

Prelutsky, Jack. 1991. For laughing out loud: Poems to tickle your funnybone. Illus. by Marjorie Priceman. New York: Alfred A. Knopf. ISBN 0394821440.

 

 

For Laughing Out Loud is a collection of silly and funny poems. As

Jack Prelutskys introductory poem says, if it makes you laugh out loud, that what I had in mind and if you almost split your sides, thats what this book is for.  Each poem includes its title and author.  There are indices in the back of the book, helping the reader to locate either the author or the title of a poem.  Each page is filled with illustrations of watercolor by Marjorie Priceman.  The colors add to the fun-ness of the poems in the book.  The pictures compliment the poems, and do not distract the reader too much because they are around the borders of the poems, not taking them over. 

 

Some of the poems are quite clever, displaying a play on words.  An example of this is in the poem, Raising Frogs for Profit by an unknown author.  It reads, Raising frogs for profit/ Is a very sorry joke./ How can you make money/ When so many of them croak? These poems would be great for children of all ages.  The simple poems are not too much for the younger ones to listen to, and the older ones would be able to understand more of the poems with subtle humor.  The poems rhyme and some use alliteration.  Figurative language, such as hyperbole, is used to create more humor. 

 

 

 

 

Prelutsky, Jack. 1983. The random house book of poetry for children. Illus. by Arnold Lobel. New York: Random House. ISBN 0394850106.

 

 

Unlike Jack Prelutskys Laughing Out Loud, The Random House Book of Poetry for Children contains a table of contents.  The poems are grouped into different topics, such as: Nature is; the four seasons; dogs and cats and bears and bats; the way of living things; city, oh, city!; and many others.  The illustrations added to the poems by Arnold Lobel are less bright and controlling, as well, creating a more calm tone.  Some of the poems are of a fun nature, others of a factual one.  I like the brevity of the poems; few are longer than half a page.  Sometimes when poems are longer, it makes me more restless than I think a poem should.  One of my favorite poems in this anthology is entitled Toot! Toot!  It reads, A peanut sat on a railroad track, His heart was all a-flutter; The five-fifteen came rushing by-- Toot! toot! peanut butter!

 

The poems are well chosen.  As the example above shows, many of them contain sound (e.g. rhyme, onomatopoeia); figurative language (e.g. personification); and sense imagery (e.g. hearing).  Prelutsky chose poems that have imagination and universality.  Since the anthology was made for childrens listening ears, the subject matter is appropriatenot too complex.  The indices are terrific! There are quite a few of them, including one for titles, first lines, authors, and subjects.

 

 

Nonfiction:
 
 

Armstrong, Jennifer M.  1998.  Shipwreck at the bottom of the world: The extraordinary true story of Shackleton and the Endurance.  New York: Crown Publishers, Inc.  ISBN 0375810498.

 

Shipwreck at the Bottom of the World: The Extraordinary True Story of Shackleton and the Endurance was such an inspirational story.  This is the story of Ernest Shackleton and the men he hand-picked to take a journey across the continent of Antarctica.  Jennifer Armstrong relates the voyages trials and tribulations.  From the crew leaving the shores of Great Britain with a cheer, to the boats mutilation in the icy waters, Armstrong tells the true tale of these explorers with their hopes and discouragements.  On board the ship, Armstrong tells us about the things they eat, the ways they entertained themselves, and the way different personalities interacted with each other.  Once they were forced off the boat onto the icy slosh of Antarctica, Armstrong describes the leadership and loyalty of the Boss Ernest Shackleton.  Using the smaller boats they had, Shackleton brought them to more secure land, and knew that he must take a smaller crew with him to find a rescue team to bring the rest home safely.  Armstrong not only shows the perspective and endurance of Shackleton and his smaller crew, but also that of the crew left behind (reading aloud recipes for entertainment at night!).  Armstrong adds to the story greatly by situating some of the photographs taken during the journey in their place in the story, so as to compliment the text.  

 

I had not read about Ernest Shackleton's attempt to cross the continent of Antarctica before this, so it was all new for me.  Jennifer Armstrong presents this amazing story of survival in such a capturing way, I had a hard time waiting until the end to find out what happened to Shackleton and his crew.  I found myself jumping ahead, trying to see the whole picture, then going back to find out more of the details.  The book lends itself to this, as well as just reading it through from start to finish.  Armstrong uses anecdotes to keep the story moving.  I could tell how enthusiastic she is about the voyage and her true admiration for Shackleton is evident.  I can understand why this book received the Orbis Pictus Award for Outstanding Nonfiction for Children, among other honorary awards from ALA, Horn Book, and Publishers Weekly.

 
 
 

Freedman, Russell.  2000.  Give me liberty! The story of the Declaration of Independence.  New York: Holiday House.  ISBN 0823414485.

 

Give Me Liberty! describes how the settlers of America gain their independence from Great Britain.  It is the story told in many textbooks, but Russell Freedman has a more story-like way of telling the facts.  Freedman brings in personal accounts of people in that era; the struggles between freedom and what was known as treason; Britains attempt to enforce its power over the Colonies; and America becoming its own nation with its Declaration of Independence.  The illustrations in this book are those of different artists at that time.  They compliment the text very well, showing portraits of the men/women being described, maps, advertisements, and famous scenes taking place.  I like the way Freedman adds poems or songs to the text that further explain what was happening.  For example, he included a popular song written by Benjamin Franklin, called "The Mother Country" that says, "We have an old Mother that peevish is grown, She snubs us like Children that scarce walk alone; She forgets were grown up and have Sense of our own; Which nobody can deny, deny, which nobody can deny."

 

Russell Freedman includes a Table of Contents; a Chronology of Events; a Bibliography; Illustration Credits; and an Index to organize his material.  He has a clear and lively style of writing that encourages curiosity and wonder of the reader.  His explanations are thorough and include all of the main events that occurred during the American Revolution. 

 

 

 

Gibbons, Gail.  1999.  Exploring the deep, dark sea.  Boston, New York, London: Little, Brown and Company.  ISBN 0316309451.

 

Exploring the Deep, Dark Sea is a fascinating informational book about what scientists, oceanographers, and other experts aboard find out about ocean life.  Gail Gibbons describes not only the life underwater, but also the tools oceanographers use to explore it.  She takes us in a submersible, defined and described, first.  Then, through words and beautiful, watercolor illustrations, shows us what we would find if we were to go underwater ourselves.  Gibbons defines terms in the pictures, such as oceanographer and mammal.  She also labels ocean life creatures and plants, sometimes describing them in more detail, such as, "The ANGLERFISH uses a luminous lure to catch food, written right beside the picture of the fish underwater."  Gibbons also sections off the ocean into the five zones: The Sunlight Zone, The Twilight Zone, The Dark Zone, The Abyss, and The Trenches.  Each zone describes how much light is in the certain area and the creatures that thrive in them. 

 

At the back of the book, Gibbons has the past, present and future of diving.  She has it set up in chronological order, with her watercolor illustrations and text under each picture.  I think she does an excellent job of illustrating her book, and describing the ocean life that can be found.  She does highlight the names of fish and words that she defines, but I think it would have been helpful if she would have included a little glossary in the back of her book.  Overall, though, I am very impressed with this book.  Of all the nonfiction books I am reviewing, this one catches my eye and is most appealing to me.

 

 

 

Lepthien, Emilie U.  1993.  Tropical rain forests.  Chicago: Childrens Press.  ISBN 0516011987.

 

Tropical Rain Forests is a concept book that describes what a rain forest is.  Emilie Lepthien first defines a tropical rain forest, and then it breaks it down into the other subheadings: The Five Layers of a Tropical Rain Forest; Rain Forest Habitats; Rain Forest Soil; Who Lives in Rain Forests?; The Disappearing Rain Forest; Slash and Burn; Rain Forest Treasures; Rain Forest and World Climates; Protecting the Rain Forests; Debt-for-Nature Swaps; and We Can Help.  I thought Lepthien did a nice job explaining all the parts of a rain forest.  The photographs complimented what the text was describing, and further explained rain forests.  This book contains a Table of Contents, a glossary, and an index.

 

The reason why I chose this book to review was mainly due to the publisher.  My school's librarian has been impressed with what Childrens Press publishes, so I wanted to read one for myself.  Though I was satisfied with the way Lepthien described the tropical rain forests, I was disappointed that it was not a true informational book.  It had opinions added at the end of the book.  If I would have been prepared for this, it would not have bothered me.  However, I did not realize that it had a political agenda, and I was pretty annoyed by it.

 

 

 

Simon, Seymour.  1999.  Tornadoes.  New York: Morrow Junior Books.  ISBN 0688146465.

 

Tornadoes is an informational book that not only describes what a tornado is, but also how one is formed and the damage one can do.  Simon explains this phenomenon in a very clear, concise manner.  The majority of his illustrations are full page photographs that bring you right into the heart of what he is describing.  Once Simon explains about a tornado in general, he goes on to give accounts of real-life tornado occurrences.  These accounts support the explanation he has already given about tornadoes.  He also explains how meteorologists classify and track tornadoes.  Simon even tells the reader what one can do to protect oneself should a tornado come.  The object of this book is clearly to inform the reader in a non-worrisome way. 

 

Simon's handle on the subject is evident.  He keeps his explanations simple, yet covers every aspect of what tornadoes are.  The photographs bring the text to life.  The book is very attractive, and would make for an excellent read-aloud.  Tornadoes occur in this part of Texas, so it would be that much more important to bring this book into the classroom. 

 

Historical Fiction/Biography:

 

 

Curtis, Christopher Paul.  1999.  Bud, not Buddy.  New York: Delacorte Press.  ISBN 0385323069.

 

Bud, Not Buddy is a story about a young boy named Bud, who is in foster care at age six due to his mothers death.  After being placed into an abusive home, he escapes to find his own way back to his biological father, whom he has never met.  The story takes place in the late 1930s in Flint and Grand Rapids, Michigan.  Bud is a boy of African American decent, and strives to find the rest of his family.  Many things occur to set him back; but he follows the clues that his mother left behind, which he carries in his old, treasured suitcase.  Many surprises await him, and he finally finds a home of love and companionship.

 

Christopher Paul Curtis is an excellent historical fiction writer.  He used his own heritage as he relayed some events that truly happened, mixed with believable events which happened during this time period.  He knew the history of this time period very well, and you can tell that he truly enjoyed the characters he created.  Bud's dialect was genuine, and his character was delightful.  Bud, Not Buddy received the John Newberry Medal "for the most distinguished contribution to American Literature for children".  The story moved at a great pace.  I would definitely like to read another book by this author.

 

 

 

Paterson, Katherine.  1996.  Jip: His story.  New York: Lodestar Books.  ISBN 0525675434.

 

Jip: His Story is about a young boy who does not know any of his ancestry.  He was found on the road, and was thought to have fallen off a gypsy wagon.  Jip is short for gypsy.  Jip is taken to live at the "Poor Farm" in 1855-1856 Vermont, and it is here that the story begins.  Jip is a truly good person.  He is always caring for the farm and its animals.  He has a special gift of knowing people and animals alike.  He is indispensable on the farm because of all these things.  All throughout the story, he is hoping to find from where he really came.  When a stranger begins asking questions about Jip in a nearby town, Jip is automatically fearful.  The stranger seems to Jip a cruel character; and though the stranger may have an idea of Jips ancestry, Jip wants nothing to do with him.  With the help of his teacher and her friend, Jip finds out where he comes from, and the dangers associated with it. 

 

Katherine Paterson deals with the injustice of slavery and poverty the setting chosen for this novel.  She has a good understanding of the social status of different characters and the dialects to match them.  Jip's character is very likable, the epitome of goodness.  The reader cheers him on the entire way, as his goodness is revealed more and more.  I have read Jacob Have I Loved, also by Katherine Paterson.  In both stories, she is able to make all of the characters come alive, and draws the reader into sympathizing with them. 

 

 

 

Paulsen, Gary.  1998.  Soldier's heart.  New York: Delacorte Press.  ISBN 0385324987.

 

Soldier's Heart is the story about Charley Goddard.  He enlisted in the Civil War when he was fifteen, lying about his age.  Soldier's Heart takes us into the mind of a young man trying to fight for what he believes.  He fights with the First Minnesota Volunteers, learning the reality of war and the pain associated with it.  Charley is at first very scared, but his heart hardens and begins to truly hate, only to find humanity on the other side, as well.  He experiences the death of friends and survival of man.  After the Union wins the war, Charley cannot see life in the same way again. 

 

Gary Paulsen's note at the end of the novel explains that Charley Goddard truly existed, but Paulsen has taken some liberties with some of the events.  Charley truly was fifteen when enlisted, but died in war, and Paulsen has him living passed the end of it.  Also, there was one of the battles in which Charley did not really participate, but was added in order to share the wars full story.  As a southerner, it was different for me to read a novel based on the war from the Union's perspective.  I am used to Gone with the Wind.  It was an interesting way to see the war through a soldiers eyes, noticing the injustice of slavery, and the death and fear associated with any war.  Paulsen knows his subject and surely does not sugar-coat the reality of war. 

 

 

 

Stanley, Diane.  2000.  Michelangelo.  HarperCollins Publishers.  ISBN 0688150853.

 

Michelangelo is a picture book biography of Michelangelo di Lodovico di Lionardo di Buonarroti Simoni, known simply as Michelangelo.  Michelangelo was born into the respectable Buonarroti family.  When he was young, his parents left him in the care of a stonecutter and his wife.  Under the stonecutter's care, he learned how to carve stone, which would help him in later years.  He came back to live with his father for a time, and received a good education.  Against his father's will, Michelangelo quit school to become an apprentice to Ghirlandaio, who realized his talent and recommended him to Lorenzo de Medici, a great man of influence.  Throughout his life, Michelangelo strived to master the arts, and was first recognized by the public after his sculpture, Pieta, of Mary holding the crucified Jesus in her arms. 

 

Diane Stanley does a nice job of complimenting the text with full-page illustrations.  Some of Michelangelo's work is shown in the book, as well.  It would be a pretty good read-aloud, but the text has many holes in it.  For example, Stanley does not explain to the reader why Michelangelo was left to live with the stonecutters, nor why his father remarried (death of Michelangelo's mother?).  Stanley also had a comment that I felt was an opinion.  When she describes how Lorenzo de Medici's sons prospered by becoming popes of the Catholic church versus Michelangelo becoming a great artist, she notes, "And then, of course, there was Michelangelo, who would surpass them all.  He would one day be regarded as the greatest artist of all time." -- Not that he is not regarded as such, but I would consider becoming the Pope to be a much greater honor.  It is all the opinion of the individual person.  I feel that a biography should be free from the opinions of the author.

 

 

 

Not historical fiction, but required reading during this genre:

 

Henegan, James.  2002.  Flood.  New York: Frances Foster Books.  ISBN 0374350574.

 

Flood is a well-written novel by James Henegan.  The story is about a young boy named Andy Flynn.  Andy is a survivor of a horrendous flood that took the lives of his mother and step-father.  When he awakens in a hospital, he finds that his aunt from Halifax has come to bring him to live with her.  The aunt is a rigid woman, whom Andy dislikes from the start.  She tells him about his father, still alive despite the lie given to him by his mother, and he is set on finding him.  When he does, his father takes him in with open arms.  The trouble is that his father has a hard time providing for himself, let alone a son, so Andy finds himself back in the care of his stern aunt.  This story is about understanding the true love of family and finding a home.

 

This is the first novel I have read by James Henegan.  He seems to have a good understanding of character, using different dialects.  He also has a good grasp of setting, fitting a particular character in a believable setting.  He incorporated Irish folklore; having Sheehogue (fairies) keep watch over the boy until he finds a true home.  The story tugged at my heart-strings, making me laugh and cry.  Henegan is a nice story-teller, adding likable characters and moments.  One of my favorite scenes is when Andys aunt is telling him how she felt when he ran away from her to find his father.  The reader gets a huge incite into her character, which is previously seen to the boy as cold and rigid.  In the scene, Andy asks her if she would miss him if he would leave her home, and she answers, "I cried.  Destroyed with the pain of it I was.  Someone helped me to a seat.  To this day I dont remember who it was, man, woman, or child Of course I would miss you!"

 

 

Fiction~Fantasy~YA:
 

Henkes, Kevin. 1992. Words of stone. New York: Puffin Books. ISBN 0140366016.

Words of Stone is a novel about a young boy, Blaze Werla and a young girl, Joselle Stark. The story begins with Blaze dealing with the loss of his mother to cancer. Though she has been dead for some time, he is still trying to fill the void of her love and presence. He creates an imaginary friend to talk to and comfort him. Initially when Joselle enters Blaze's life, she tries to hurt him so that he can be as miserable as she is. She has lost her mother, as well, to a man who has whisked her away (so she thinks), and is staying with her grandmother for a time. Joselle writes words with stones on top of a hill facing Blazes house in order to "complicate" his life further: first his mother's name Reena, then the words fire and You're on Fire. One day, as Joselle is about to write more words of stone on the hill, she is surprised to find herself face-to-face with Blaze. From that very moment, the two become wonderful friends. Joselle feels the guilt of her past actions and lies, which he finds out about to both of their surprise. True friendship is then tested, and many lessons learned in this heart-warming story.

Kevin Henkes tells the story from both Blaze's and Joselle's perspectives. It is refreshing to be able to switch perspectives, and Henkes does a very nice job of it. His characters are realistic and credible. Henkes creates a plausible plot, with a hopeful ending. He brought in topics such as: death, loss, friendship, forgiveness, and single-parent homes -- all of these are relevant to young adults, with their own lives or in the lives of their friends.  This is an ALA Notable Book.

 

Lowry, Lois. 1993. The giver. New York: Houghton Mifflin Company. ISBN 0395645662.

The Giver is a sensational novel about a society that has undergone sameness. Jonas is the main character, a young boy who is about to turn twelve. Every twelve-year-old learns what occupation they will have for the rest of their lives, based on their observed characteristics. Jonas anxiously awaits the day all the Elevens become Twelves. There are no more birthdays in this society because all those born in a given year turn one together all the same. At the ceremony of the Twelves, Jonas is given the highly honored position of the Receiver of Memory. The previous Receiver then becomes the Giver of the memories of the entire society; the past is revealed in all its beauty and pain. Jonas and the Giver plot their plan of change for the society in order to give back to the society their knowledge of the past.

Lois Lowry explains the need to know one's past, one's family heritage, one's choices in life. She develops her characters (though skeletons of people they are) well, especially Jonas and the Giver, the two most realistic characters in the story. The topic she chose (that of a fully socialistic society) seems to be a bit deep; but with such a young character, I can see young adults understanding its depth through Jonas' eyes. This story makes the reader think of the dignity of all the living -- from conception to natural death. Lowry also makes the reader appreciate the beauty of choice, color, and music. It was a very thought-provoking novel.  The Giver received the John Newberry Award for the most distinguished contribution to American Literature for children.

 

Wolff, Virginia Euwer. 1993. Make lemonade. New York: Scholastic Inc. ISBN 059048141X.

Make Lemonade is a story about a young highschool girl LaVaughn, who wants to better her status in life by making her way to college. In order to earn the money for this, she takes on a baby-sitting job after school. Instead of just making money, LaVaughn learns responsibility, love, and friendship through her relationships with Jolly and Jolly's two children Jeremy and Jilly. LaVaughn receives an inside look into a girl's life who has no other family, and is in true need. She fights her mom to stay baby-sitting, even without pay, to help Jolly. Most importantly, LaVaughn helps Jolly by getting her back into school and on her feet again.

Virginia Euwer Wolff's style of writing caught me off guard at first. She writes as the young girl thinks, without correct grammatical structure. However, her style is important in her character development -- she reveals LaVaughn's character through narration. The reader is able to see the strengths and weaknesses of Wolff's characters. The story reads quickly, and flows well. Wolff has an eye for detail where her setting is concerned. The setting, characters, and plot are realistic and believable. The theme of the story includes topics that are relevant to highschool students: their need to succeed in life; make something of themselves; maintain friendships; and to set priorities. It was a very moving story that brought me into lives I would have never known.

 

Author Study: Harry Allard

Author Study: Harry Allard

Karen F.

Texas Woman's University

LS 5603

 

 

Biographical Information:

 

·         Born in Evanston, Illinois on January 27, 1928 (same birthday as Mozart)

·         Graduated from Northwestern University in 1948, majored in art

·         Was a soldier in the Korean War

·         After the war, he lived in Paris, France for three years

·         Earned a masters degree in French from Middlebury College in 1960

·         After France, he taught in Virginia, then in Texas

·         Moved to Massachusetts, received his PhD in French from Yale in 1973

·         Met James Marshall (illustrator of Miss Nelson Is Missing and The Stupids series) in Boston, whose artwork inspired Allard's first book, The Stupids Step Out.

 

 

Books still in print:

 

*The Stupids Step Out

o        Allard, Harry. 1974. The Stupids step out. Illus. by James Marshall. Boston: Houghton Mifflin Company. ISBN 0395253772.

 

*Miss Nelson Is Missing

o        Allard, Harry. 1977. Miss Nelson is missing. Illus. by James Marshall. Boston: Houghton Mifflin Company. ISBN 0395401461.

 

*The Stupids Have a Ball

o        Allard, Harry. 1978. The Stupids have a ball. Illus. by James Marshall. Boston: Houghton Mifflin Company. ISBN 0395361699.

 

*Miss Nelson Is Back

o        Allard, Harry. 1982. Miss Nelson is back. Illus. by James Marshall. Boston: Houghton Mifflin Company. ISBN 039541668X.

 

*The Stupids Die

o        Allard, Harry. 1985. The Stupids die. Illus. by James Marshall. Boston: Houghton Mifflin Company. ISBN 0395383641.

 

*Miss Nelson Has a Field Day

o        Allard, Harry. 1988. Miss Nelson has a field day. Illus. by James Marshall. Boston: Houghton Mifflin Company. ISBN 0395486548.

 

*The Stupids Take Off

o        Allard, Harry. 1995. The Stupids take off. Illus. by James Marshall. Boston: Houghton Mifflin Company. ISBN 0395657431.

 

*Bumps in the Night

o        Allard, Harry. 1996. Bumps in the night. Illus. by James Marshall. New York: Bantam Doubleday Dell Publishing Group. ISBN 0440412862.

 

 

Author Style Analysis:

 

It is difficult to write about Harry Allard without mentioning James Marshall, the illustrator of Allard's books.  They both seem to work equally on each book they produce.  James Marshall was the one who inspired Allard's first book, The Stupids Step Out.  Covering this aspect of Allard's work, I will continue analyzing his style.  There are a few characteristics that I found threaded in all of his books that I read.  These are: humor, complimentary artwork, and subjects that relate to the intended audience.

 

Since I loved Miss Nelson Is Missing when I was younger (Who am I fooling? I still love it!), I wanted to read one of the sequels to it.  The one that I chose was Miss Nelson Has a Field Day.  As I was reading the story, I thought about how children could relate to the story.  I find Allard to be very focused on what children know about.  The story takes place at Horace B. Smedley School, of course.  This time, however, the classroom students are not the ones misbehaving.  The football team cannot seem to get its act together, and its coach pretty much loses his mind.  The only one who can kick this team into shape would be Miss Viola Swamp, the most dreaded substitute teacher.  The surprise comes when Miss Viola Swamp appears, even though Miss Nelson is still visible.  Could Miss Viola Swamp be a real person? Mary C. Carras, a critic from Bulletin of the Center for Childrens Books, states, "Allards explanation is pat, but children will probably enjoy the contrivance."  In my opinion, it is a fun look at the attitudes of children, and their reaction when a teacher really means business.  The Marshalls artwork adds to the humor of the book, and explains much that the text does not.  

 

In 1987, Miss Nelson Has a Field Day won the Golden Sower Award, an award sponsored by the Nebraska Library Association for books that are considered quality literature.  The story was also made into a children's video and was the 2000 recipient of the Andrew Carnegie Medal for Excellence in Children's Video.  This video was directed and animated by Virginia Wilkos and Ty Varszegi, and distributed by Scholastic, Inc. 

 

A friend of mine introduced me to the Stupids.  She is a second grade teacher, and her students are very fond of these stories.  I had to find out what the hype what all about.  I first read The Stupids Have a Ball, and I immediately understood why children would like these books.  No matter how silly a child may feel, there is no way he/she could feel that silly! So, automatically, the children feel more intelligent than these characters.  The Stupids are amusing and loveable characters created by Allard.  Again, Marshall adds much more humor with his drawings.  The Stupid children come home with failing grades, so the parents decide to throw a costume ball.  The reader is able to meet the entire Stupid family, dressed in wild costumes.  At the end of the story, the main Stupid family comments that they were the only ones wearing costumes.  Special attention needs to be paid toward the illustrations.  The children love looking for all the things that do not make any sense whatsoever, for example, a picture of Mount Stupid, with no mountain in the picture. 

 

I was able to find a review of The Stupids Have a Ball by Kevin A. and Frankie N., both age 8.  I thought it would be fun to see what other children thought of the book.  They commented that, "The Stupids are so silly, you never even met anyone like them! That made us laugh! We like the illustrations because they are funny.  There's a lot to look at in the pictures" (Mrs. Gerbigs 2nd Grade class, Spaghetti Book Club).

 

In The Stupids Take Off, the Stupid family is on an adventure, trying to avoid one of their family members, Uncle Carbuncle.  Allard's characters remain the same, doing crazy, funny things that children love.  The Stupids fly off in their airplane, visiting other Stupids at their homes.  We find one of the Stupids trying to grow a pencil garden, which is not blooming.  Another Stupid was celebrating her sixth birthday with eight candles because she didn't have six.  They succeed in avoiding Uncle Carbuncle and have a good time doing so.  As an adult, it is sometimes hard to appreciate these types of stories.  It is almost like having to sit through Dumb and Dumber, though some people actually like that movie.  Horn Book review noted, "Marshall's illustrations are crazily wonderful, but the humor seems forced, and the puns are more excruciating than ever."  The children like them, though, and that is very important.  I think that Allard and Marshall know their intended audience very well. 

 

Harry Allard and James Marshall make a great team for children's literature.  Allard incorporates humor into subjects that children can relate to, and Marshall's illustrations compliment his work very well.  These books were enjoyable for me, and especially for the students.

 

 

Resources/websites:

 

http://falcon.jmu.edu/~ramseyil/allard.html

http://www.edupaperback.org/authorbios/Allard_Harry.html

http://hallkidsfamily.com/multigenerational/88.shtml

http://www.teachervision.com/lesson-plans/lesson-6795.html?for_printing=1

http://www.spaghettibookclub.org/review.php3?review_id=2258

http://www.ala.org/cgi-bin/reghtml.cgi

http://www.eduplace.com/tview/pages/m/Miss_Nelson_Has_a_Field_Day_Harry_Allard.html

 

 

Publisher Contact Information:

 

If you would like to write a letter to a children's book author, you can send it to Houghton Mifflin and they will forward it to him/her.

 

Authors Name

c/o Houghton Mifflin Childrens Books, 8th Floor

222 Berkeley Street

Boston, MA 02116-3764

 

Lesson Plan Sites:

 

http://www.teachervision.com/lesson-plans/lesson-6795.html?for_printing=1

http://www.eduplace.com/tview/tviews/m/missnelsonismissing.html

http://www.teachervision.com/lesson-plans/lesson-6795.html

 

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